WORKS70
Finissage | Friday 12 December 12-4pm
Join us as we celebrate the final week of our inaugural exhibition, WORKS70, at Far Far Gallery.
Curator Benjamin Parsons will lead a guided tour of the exhibition, followed by an in-conversation session with artist Simon Allison.
Please RSVP to confirm your attendance.
“ Material. Fire. Passion. This is the zeitgeist. Late from the heat of summer in London galleries, we have seen Anselm Keifer mediate Van Gogh’s wheatfields with painted vortices of straw, resin, clay and gold; we have seen Jenny Saville deconstruct painted flesh with rippling lines and lurid scourges of paint that would make Cy Twombly blush. These artists have messaged our time with this:
Use your materials—your paint, your canvas, your timber, lead and bronze—use it with passion. Use it in new ways. Take it beyond what has been known before.
Simon Allison lives for this challenge. By his hand a gallery structure has literally risen from the chaff of the Van Gogh field. The Far Far Gallery is a placeholder of material passion. In this new gallery, the artist presents WORKS70 in an outpouring of his sculptural and painting practice. We are met with massive totems of turned trunks of oak, first gathered in timber stands, then transfigured into bronze and Carrara marble. His Lockbund Foundry serves well as a hotbed of alchemy. Through fire, he pours rivulets of bronze and lead into trenches cut in found materials. His spartan furniture pieces are earmarked beyond their cultural history; his headstone pieces wrestle meaning from engraved texts. Welcome to the Far Far Gallery. Welcome to an original vision of material, fire and passion.. - Peter James Smith, 2025
View individual works.
Read ‘The Braided River’ catalogue essay by Peter James Smith.
Installation View
Installation View
Installation View
Installation View
Installation View
Installation View
Installation View
Installation View
Installation View
Installation View
Installation View
Installation View
Hath Given, 2025 Wood, tin 150 x 106 x 5cm
Signal Series, 2024 Found objects, paint, tin 185 x 150 x 5cm
Thought redact, 2025 Found object, paint, tin 62 x 34 x 5cm
Glory, 2025 Wood, paint, tin 90 x 60 x 5cm
Long Black Cloud, 2017 Cardboard, lead, oil stick 72 x 61 x 5cm
Taking a walk in the forest, 2017 Cardboard, lead, oil stick 98 x 60 x 2cm
Small thought redact, 2025 Found object, wood, paint, tin 40 x 43 x 7cm
Edwardian Capture - Kaikora, 2024 Cabinet, aluminium 70 x 49 x 33cm
These moments pass II, III 2024 Found object, tin 40 x 40 x 5cm
Dovedale, 2025 Wood, paint, tin 32 x 23 x 2cm
Installation View
Installation View
Installation View
Installation View
Exterior view of a modern building with wooden siding labeled 'FAR FAR GALLERY' and a large, yellow abstract sculpture outside, with trees and overcast sky in the background.
About the Artist
Simon Allison (b. 1955 Auckland, NZ) spent his early childhood growing up amidst what he describes as the ‘paradise of the Kaikoura coastline’ where his father worked as the editor of the Kaikoura Times. After the family moved to Nelson Simon developed an early interest in casting techniques and experimenting with a collection of lead head nails ruthlessly scavenged from the city’s weathered roofs.
Simon attended the Canterbury School of Fine Arts, graduating in 1978, under the tutelage of Tom Taylor who ran the sculpture department with Martin Mendelsburg, a young American sculptor. The paintings of Don Peebles, who also taught at the school, remain an ongoing influence on Simon’s work. After graduating, Simon worked at the Court Theatre in Christchurch as a scenic artist and set designer before traveling to England in 1984. Here he established a bronze casting facility in London called Red Bronze Studio. A decade later he moved to Oxfordshire, reimagining the foundry into what it is today, Lockbund Foundry and Gallery.
As well as developing Lockbund, Simon has maintained his own sculpture practice and exhibits widely. His sculpture, including commissioned works, is held in private and public collections throughout Europe. He has also maintained strong links with New Zealand and has, over recent summers, worked from a studio in Nelson to produce several exhibitions.

