Gesture
Installation View
Installation View
Immersion / Lara Faroqhi, 2012 / Archival print on paper
13.8 x 10(to the power of 9) / Simon Allison, 2014 / Victorian smokers cabinet, bronze, pewter & Icelandic lava
Moments of Being / Lara Faroqhi, 2013 / Charcoal pen, oil & water colour on paper
Türkel / Lara Faroqhi, 2015 / Gouache, oil, water colour pencil, coloured pencil & wax crayon tracing on paper
Scales of injustice / Simon Allison, 2015 / Victorian display case & bronze
Still life, table of doubt (detail) / Simon Allison, 2015 / Table installation
The Fallen II / Simon Allison, 2015 / Aluminium and black wrap
Note 4 / Lara Faroqhi, 2015 / Silk-screen print, water colour pencil & wax crayon tracing on paper
Natura Morte / Simon Allison, 2015 / Bronze, Fungus & gold leaf
Fervent / Lara Faroqhi, 2012 / Archival print on paper
Still life, table of doubt (detail) / Simon Allison, 2015 / Table installation
Celestial Gesture / Simon Allison, 2015 / Wood, lead & paint
Time / Simon Allison, 2015 / Cast resin, wood & lead
Rock / Josephine Rose Allison, 2014 / Earthenware & plywood
Sacred I / Simon Allison, 2015 / Wood, lead & paint
Note 4 / Lara Faroqhi, 2015 / Silk-screen print, water colour pencil & wax crayon tracing on paper
About the Artists
Lara Faroqhi
The berlin-based artist (b.1968) explores space through form that may be geometrical or organic, logically or naturally re- duced. Using repetitions, accidents, and overlapping, structures are interwoven, disrupted and multi-layered.
Faroqhi has worked with ceramics, polyester resin, and glass, but she is best known for her more recent work focused on drawing – juxtaposing pencil, water colour, oil and silk screen printing. Faroqhi’s aim is to liberate the image from one fixed perspective. She reveals the working process in the work, even including possible mistakes. She strives to describe a multitude within a whole, be it in harmony or off balance.
Simon Allison
(b. 1955 Nelson, New Zealand) Having studied for a degree in Fine Art Sculpture at the University of Canterbury New Zealand, Simon then spent seven years working as a theatre set designer both in N.Z and Australia. His earlier works dealt with the subjects of landscape and the human condition within that landscape, often with a strong theatrical imagery.
He works with a wide range of materials including stone, wood, bronze, glass and often works with various materials in combination. Working with a strong physical and direct material language Simon's sculpture often discusses the power and fragility of the physical and spiritual balance.